The Retro Sta-Level is a replica of the legendary 1956 Gates Sta-Level. The Sta-Level dominated the sound of hit radio in the 1960's. Now these super musical sounding compressors have found their way into today's hits. The Retro Gold Edition celebrates fifty years of the products existence. The Sta-Level uses the coveted 6386 tube in a classic G.E. circuit design. Alternatively, the Gold Edition Sta-Level uses a pair of commonly available 6BJ6 tubes (stock). The customer has the choice to use their own 6386 they provide or the 6BJ6 provided with the purchase of the unit. The choice is yours and the sound is undeniably true to the original either way.
* Gain Reduction Threshold: Continuously adjustable from +24dBm to -20dBm
* Available Gain Reduction: 40dB
* Total System Gain: 35dB (with standard input and output pads)
* Distortion: 1 percent or less from 0-30 dB gain reduction
* Frequency Response: ± .25dB from 20-20,000 Hz
* Noise: -70dB or better referenced to gain reduction threshold
* Output Level: Continuously adjustable from -40 dBm to +18 dBm
* Input Impedance: Accepts low impedance active or transformer balanced 0-600 Ohms
* Output Impedance: 600 Ohm transformer balanced, terminated and resistive pad coupled
* Tube Complement: 2-6BJ6), 1-12AT7, 2-6V6GT, 1-6AL5, 1-OB2, 1-5Y3
* Power Requirements: Three prong IEC - Switchable 115-230 VAC - 50/60 Hz
* Mounting Requirements: 3U metal rack 5.25" high, 19" wide, 8" deep
Mix Magazine, February 2007
"The Sta-Level defines creamy smoothness when it comes to tube compression. I've used it on a number of sources, from a lowly hi-hat to a lead vocal, and each time its personality makes you want more. I can't say enough about using the three-position switch with the Recovery knob. It makes this compressor eminently usable on almost anything you throw at it." - Kevin Becka
New Toys Article in Music Connection Magazine
"Retro adds modern features and new adjustability for more recording studio applications possible than the original units." - Barry Rudolph
EQ Magazine, October 2006
"I always go for the Sta-Level; I love what it does for the bass, it’s a magic box- it keeps the track beautifully solid with a tight bottom end." - Mike Shipley
Tape Op Magazine, September 2006
"The whole reason to have vintage compression is for the sound it adds, and the STA-LEVEL adds classic tone immediately. On acoustic guitar, you can hit it very hard, and the guitar still sounds like an acoustic and not a thwacking, pumping, midrange assault that can result from too much reduction with a lot of compressors I’ve used in the past." - Craig Schumacher
